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Plot: From the 1990s, the Live-In Caregiver Program attracted thousands of Filipino women to Canada as migrant workers, enabling them to send money back home and gain permanent residency. In Inay (Tagalog for “Mama”), director Thea Loo and cinematographer Jeremiah Reyes (a husband and wife duo) turn the camera on themselves to explore the cultural and psychological impact on the children who were abandoned by their mothers out of economic necessity