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Plot: One of the most productive nods of amateur cinema in Argentina was the Peña Foto Cine 8mm Club in La Plata, which organized national festivals of Super 8 filmmakers in the Seventies. One of its most remarkable exponents was Julio César Otero Mancini, who capitalized his amateur origins and became a true independent filmmaker building a body of work as a Super 8 author by inventing his own mechanisms and aesthetics, challenging any technical or expressive limitations of the medium both technical and expressive aspects