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Plot: TV Fighter (CAM-ERA-PLANE), 1977 plays with the experiences of real-time and the video copy, presenting in several iterations a fragment of World War II footage taken from the point of view of a fighter plane as it machine-guns targets on land and sea. Using a Russian-doll structure of images repeatedly rerecorded and reframed, Hall toys with the viewer’s manifold experiences of live and recorded time: the historical time of archival footage, the live experience of watching it on a screen, the déjà vu of watching that “live” footage again on another monitor