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Plot: Inspired by the short story Aurélia (1854) by Gérard de Nerval, which will influence André Breton and the Surrealists, the film tells, with a contracted rhythm and visual accelerations / dilations, the daily experience of a woman projecting her into an interior dimension where reality and myth are mixed and fused by a dreamlike syntax. In the "descent into hell" of consciousness, Aurélia ends up by detaching herself from her identity as a woman of today to take on the multiple features prefigured, from time to time, by her imagination